The articles in this volume cover a wide range of intellectually exciting issues, written by people who were considered at the summit of their fields of enquiry. Though the individual topics addressed are diverse, each article can be taken as representative of 'humanistic understanding' of its stated subject. The volume is the first of a series based upon lectures given under the auspices of the New York Institute for the Humanities.

James Hogg's The Private Memoirs and Confessions of a Justified Sinner is a Scottish classic, a quintessentially Gothic tale of psychological horror, and a relentless attack on Calvinist dogma. The Penguin Classics edition is edited with an introduction and notes by Karl Miller. Robert Wringham's family is composed of a dissolute father and brother, a pious mother, and a rival father in the person of a fanatical Calvinist minister. He comes to believe that he is one of the elect, predestined to be saved, while others are damned. Sure of his freedom from the dictates of morality, he embarks on a series of crimes in the company of a new friend Gil-Martin, a man of many likenesses who can be mistaken for Robert, and who explains that they are as one in the holy work of purifying the world. But who is Gil-Martin? And what does he truly desire? The Gothic double or doppelganger is nowhere more powerfully imagined than in Confessions of a Justified Sinner, once called 'the greatest novel of Scotland'. This new edition has an introduction by Karl Miller, which discusses the presence of the novel in the life and times of James Hogg. It also contains two of Hogg's most interesting stories, 'Marion's Jock' and 'John Gray o' Middleholm'. James Hogg (1770-1835) born in Ettrick, in the Scottish Borders. A shepherd for many years, Hogg was writing poems by the 1790s, aiding Walter Scott with material for his collection of ballads, The Minstrelsy of the Scottish Border. In 1810 he moved to Edinburgh, where he published several volumes of verse, and worked on the Spy and Blackwood's Edinburgh Magazine. Confessions of a Justified Sinner was published anonymously in 1824, and is now generally seen as his masterpiece. If you enjoyed Confessions of a Justified Sinner, you might like Matthew Lewis's The Monk, also available in Penguin Classics. 'A Scottish classic, a world classic' Ian Rankin 'A sinister, funny, moving tale of demonic possession, murder and religious fanaticism' Sunday Telegraph

In his latest book of essays Karl Miller turns his attention to appreciate certain writers of the English-speaking modern world. A new ruralism has come to notice in this country, and the book is drawn to country lives as they have figured in the literature of the last century. An introductory essay is centred on the Anglo-Welsh borderlands. Journeys taken with Seamus Heaney and Andrew O'Hagan to this countryside, and others, are threaded throughout the book. The poets Seamus Heaney and Ted Hughes are discussed, together with the fiction of Ian McEwan, the Canadian writer Alistair Macleod, the Irish writer John McGahern and the Baltimorean Anne Tyler. Scotland is a preoccupation of the later pieces, including the letters of Henry Cockburn, a lifelong interest of the author, who is also interested here in foxes and their current metropolitan profile.

'This is a book about the magazines I have edited. I have written it in order to describe what they were like, and what literary journalism was like, and to do honour to the writers I worked with.' So begins Karl Miller's understated, droll and lucid retrospect of English post-war literary culture. Dark Horses is the vade mecum and memoir of an eminent literary critic and teacher, who also edited several of the most influential literary magazines of his time, and who founded the most influential literary journal of our time, the London Review of Books. It is the testament of a watchful and undeceived intelligence, of wide and sometimes surprising sympathies, as observant about football as about politics and letters. In its feeling for outsiders as well as its understanding of insiders, Dark Horses fulfills the promises of its title. 'Frank Kermode has written of "the good writing that cannot help eliminating truth from autobiography." Karl Miller comes marvellously close to bringing the two together.' Financial Times 'Miller's prose is elegant, spare and unforced. He has the true art of the memoirist.' Jonathan Bate